
Dedicated to young and aspiring artists and illustrators everywhere!
For the many friends and associates who knew Stephen including: Colleen, Lauri, Melissa, Jo, Allen, Bonna, Megan, Mitch, John, Teresa, Don, Eric, Ann, Susan, Beth ... gee, he had so many friends ... if you were one of them, thank you!
The following is a collection of muse from the journals of Stephen Norman Lynch. Some of the names may have been changed to preserve the anonymity of people mentioned.
June 17, 1972 Gainesville, Florida
I am in Jerry's (restaurant) with Mitch. There is an appointed hour. I have done a lot of candle gazing tonight. I feel bloated of sort. The light in this place could stand to be mellower. The glare of brightness is all I can stand though the music creeps in behind and soothes along with the caffeine.
I need a woman. I want the security of being looked at in an affectionate way. I feel on the edge of a precipice that falls into castigation, conflict from every direction as if molded in a prism-mirror. I've got to have that famine balance. My art is definitely not enough. But my woman must fit certain specifications. I can not be attached to what I consider less than attractive. I must be able to feel myself honestly to telling her of her beauty in poetry. I must be able to pay her compliments on her physical being. I must be able to make her see things about her self that she is not aware of. And she must love me and want to be with me a great deal of the time. We will be children together -- and lovers. She will be my lover, my mother and my sister and I will be her lover, her father and her brother.

There are many avenues of loneliness that I need filled in. My versatility! I highly attribute myself but my confidence in women finding my attributes something attractive to them, to want to be attached to, such self esteem is low at present. I want a woman that I find appealing to cling to me at first sight. More often than not without that mysterious magic touch at the very beginning, I assume that I am rejected. Perhaps a bit over paranoid there. But it has come into that because I have been on this desert of loneliness for a long time without finding a friend.

To reflect alone is somehow detrimental. I want a stab at loving someone I desire. I feel pressured by competition. A mate does not come easily. Janine, I am beginning to think, is bad medicine to be around. Her fear of me is grossly disappointing and thus what must I think of myself? And she pisses me off with her way of telling me where she stands with us. I stand confused, reflective to the point of self condemnation. I am bored and feel tramped upon by aloof women. I feel so desperately and perhaps naively that all of aloofness and distance is not necessary. I get to the point where I am afraid to reach out to someone who looks aloof. It is definitely my own funeral. I am adrift in my own fault. A wailing wall is made of stone. I do not care for a wailing wall.

I feel a stab of compulsion to create an underground magazine. Contents of magazine -- ideas:

* Cavalcade of costumes
* Seductive debauchery
* Study of prostitutes
-- Two types - obvious and subtle
* Situations of abduction and rape

Make as much a variety in shapes of women as possible. Each frame must be of top most aesthetic quality. Each frame should be a story in itself. Is the quick pace and shabbiness of underground magazines an acceptable mode? It seems that there is little individuality in each form (usually_ counting on the attraction to be the idea of the over all story. Is that what makes them pulpiest? Yep, most likely.

My ink drawings have a fine point etching quality about them. I must render a great deal of time sketching women -- get back into the rhythm of their anatomy. I am out of phase.

Each frame (story) must be in my estimation of good taste. There is bad taste and vulgarity in presentation! Good draftsmanship is a necessity.
I think that an underground publication will produce definite (instant) attraction from an assortment of females.
Also (include) an assortment of loving animals in various frames.

That's all for now. Please check back later. Stephen left many sketches, paintings and drawings to the world. Over time it is hoped these can be made available for others to enjoy through the magic and marvel of the Interenet.
Please help support this site by purchasing these design products.
Wearable high fashion art
This design features a pen and ink drawing by Stephen N. Lynch and the slogan, "Good Love Is Like Fresh Baked Bread -- You Can't Get Enough Of It.
Wearable high fashion art
This unique collage is a collaboration with the dead. The artist's deceased brother, Stephen N. Lynch, produced the original oil paintings which were used to create this modern abstract morphic design using digital technology. Images were photographed and recycled to produce a new, invigorating design. This fine art print is offered as wearable art in the form of an "Art Appreciation 101" design to inspire art students everywhere. Also available is "I've got it! Good taste! Fine Art & Design" which features this same print but with a boarder boasting of your good taste. This same collage fine art print available as a stand alone graphic entitled "Reincarnation".
Featuring digital art by Terry Lynch Original, high quality fine art and design. Limited edition prints available for the collector and investor. Secure purchase using PayPal. |
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Please visit these associated sites. Thank you.
A Memorial Tribute to Stephen Norman Lynch | Stephen Normal Lynch Memorial Foundation of Fine Art & Literature | Florida Art Guild | Alabama Art Guild